（16Bit）（FLAC）（Cello） Les Introuvables de Janos Starker （EMI） (6CDs)

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简介:
A few seconds' worth of sampling is all that is needed to establish the tonal identity of Janos Starker, a supremely accomplished player whose tough, dry, vibrant sound was fuller in youth than in older age but whose every stroke of the bow suggests profound musicality. Even those of Fritz Reiner's Chicago Symphony recordings where Starker leads the orchestra's cello section (Le bourgeois gentilhomme, 12/92, being a personal favourite) reveal that unmistakable personality, at once forthright and ardently expressive. Starker's earliest recordings included powerful first attempts at major repertoire featured in this splendid EMI retrospective. I can remember thrilling to versions of the First, Third, Fourth and Sixth Bach Cello Suites, originally made for Period Records and issued here (for a second time) on low-price Saga LPs (10/63), where Starker's muscular delivery and eloquent phrase-shaping were captured in fiercely close-set sound. I can also remember how EMI 'completed' one set by coupling Starker's Columbia recordings of the Second and Fifth Suites (the ones omitted by Saga/Period) on a single LP.
Returning to the Columbia set now confirms a remarkable consistency in approach (carried through, at least in part, to two subsequent recordings), 'classical-romantic' rather than 'authentic baroque', with propulsive Preludes, buoyant Bourrees, Gavottes and Gigues, and deeply introspective accounts of the slower movements. Again, the recorded balance is fairly close, although this particular transfer presents the First and Fifth Suites as marginally less well recorded than the other four (the First sounds rather dull and the Fifth suffers minor patches of distortion). The Kodaly Sonata, a regular Starker showpiece, again claims a 1950 predecessor (latterly reissued on a short-lived Philips disc) and was followed by a noteworthy successor (Delos, 1/89). However, it would be difficult to upstage the well-employed virtuosity of this 1957 performance, especially in the raging final Allegro molto vivace, a dazzling dance sequence and the nearest Kodaly ever came to sounding like Bartok.
Of the concerto sessions, Starker's sensitive readings of the Saint-Saens and Dvorak works have given me countless hours of pleasure even though both were followed by equally distinguished Mercury recordings (4/92 and 3/91, respectively). The Dvorak, in particular, features a most touching account of the slow movement, but EMI slip up in their tracking of the individual movements of the Saint-Saens Concerto (the Allegretto con moto actually starts during track 7, and not at the beginning of track 8). The Schumann Concerto is more full-bodied but less subtle than Starker's new RCA recording (10/95 – again, there is a fine Mercury alternative, 4/92); Dohnanyi's delightful Konzertstuck receives smiling advocacy, Faure's Elegie weeps inwardly, while both the Milhaud and Prokofiev concertos – the former with its Mahlerian resonances (try the Grave second movement for side-glances towards Das Lied), the latter, a restless precursor of a musically superior Symphony-Concerto – are treated to typically lithe, finely honed playing. Boccherini (with cadenzas by Hutter) and Haydn (where the cellist provides his own cadenzas) both respond to Starkerian tonal tapering, and then there are the encores – wistful, lean and tastefully turned.
A veritable feast, then – although I could well understand some listeners finding the very dryness, even nasal quality of Starker's sound a little unprepossessing. Still, for me this is a major reissue, certainly in terms of the unaccompanied works, all of which are given extraordinarily animated and well-focused performances. The majority of EMI's transfers are excellent.'

曲目:
1. BWV 1007: Pr‚lude Suite for solo cello No. 1 in G major
2. BWV 1007: Allemande Suite for solo cello No. 1 in G major
3. BWV 1007: Courante Suite for solo cello No. 1 in G major
4. BWV 1007: Sarabande Suite for solo cello No. 1 in G major
5. BWV 1007: Minuetto 1 & 2 Suite for solo cello No. 1 in G major
6. BWV 1007: Gigue Suite for solo cello No. 1 in G major
7. BWV 1008: Pr‚lude Suite for solo cello No. 2 in D minor
8. BWV 1008: Allemande Suite for solo cello No. 2 in D minor
9. BWV 1008: Courante Suite for solo cello No. 2 in D minor
10. BWV 1008: Sarabande Suite for solo cello No. 2 in D minor
11. BWV 1008: Minuetto 1 & 2 Suite for solo cello No. 2 in D minor
12. BWV 1008: Gigue Suite for solo cello No. 2 in D minor
13. BWV 1009: Praeludium Suite for solo cello No. 3 in C major
14. BWV 1009: Allemande Suite for solo cello No. 3 in C major
15. BWV 1009: Courante Suite for solo cello No. 3 in C major
16. BWV 1009: Sarabande Suite for solo cello No. 3 in C major
17. BWV 1009: Bourr‚es 1 & 2 Suite for solo cello No. 3 in C major
18. BWV 1009: Gigue Suite for solo cello No. 3 in C major
19. BWV 1010: Pr‚lude Suite for solo cello No. 4 in E flat major
20. BWV 1010: Allemande Suite for solo cello No. 4 in E flat major
21. BWV 1010: Courante Suite for solo cello No. 4 in E flat major
22. BWV 1010: Sarabande Suite for solo cello No. 4 in E flat major
23. BWV 1010: Bourr‚es 1 & 2 Suite for solo cello No. 4 in E flat major
24. BWV 1010: Gigue Suite for solo cello No. 4 in E flat major

1. BWV 1011: Pr‚lude Suite for solo cello No. 5 in C minor
2. BWV 1011: Allemande Suite for solo cello No. 5 in C minor
3. BWV 1011: Courante Suite for solo cello No. 5 in C minor
4. BWV 1011: Sarabande Suite for solo cello No. 5 in C minor
5. BWV 1011: Gavottes 1 & 2 Suite for solo cello No. 5 in C minor
6. BWV 1011: Gigue Suite for solo cello No. 5 in C minor
7. BWV 1012: Pr‚lude Suite for solo cello No. 6 in D major
8. BWV 1012: Allemande Suite for solo cello No. 6 in D major
9. BWV 1012: Courante Suite for solo cello No. 6 in D major
10. BWV 1012: Sarabande Suite for solo cello No. 6 in D major
11. BWV 1012: Gavottes 1 & 2 Suite for solo cello No. 6 in D major
12. BWV 1012: Gigue Suite for solo cello No. 6 in D major
13. Op. 8: 1. Allegro maestoso ma appassionato Sonata for solo cello
14. Op. 8: 2. Adagio (con grand'espressione) Sonata for solo cello
15. Op. 8: 3. Allegro molto vivace Sonata for solo cello

1. Cello Concerto in B flat major (arranged by Friedrich Grtzmacher): 1. Allegro moderato
2. Cello Concerto in B flat major (arranged by Friedrich Grtzmacher): 2. Adagio non troppo
3. Cello Concerto in B flat major (arranged by Friedrich Grtzmacher): 3. Rondo (allegro)
4. BWV 1068: Air Orchestral Suite No. 3 in D major
5. for violin & piano Allegretto in the Style of Boccherini
6. for cello & piano (or orchestra) in B minor, Op. 43 Allegro appassionato
7. prelude for piano, L. 117/8 La fille aux cheveux de lin
8. Op. 9/2, CT. 109 Nocturne for piano No. 2 in E flat major
9. Op 68 Hungarian Rhapsodies for cello & piano (or orchestra)
10. strings & continuo No. 5 in F minor, BWV 1056: Arioso Concerto for harpsichord
11. Transctiption for cello & piano of Schubert's Allegretto grazioso
12. D. 780 (Op. 94): Excerpt Moments musicaux (6) for piano
13. comic opera (incomplete): Gopak Sorochints‹ Fair (Sorochinskaya yarmarka)
14. Op. 15: Rˆverie Kinderszenen (Scenes from Childhood) for piano
15. for piano, 4 hands (or orchestra), L. 65: Menuet Petite suite (4)
16. for cello & piano Ode
17. Op. 1/13, MS 25/13 Caprice for solo violin in B flat major ("The Devil's Chuckle")
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