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歌手姓名:Kazu Matsui
专辑名称:Tribal Mozart
所属语言:音乐
唱片公司:countdown/ulg
发行日期:1997
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Kazu Matsui的妻子Keiko的钢琴演奏以及Derek Nakamoto的电子琴及打击乐器的伴奏为Amadeus Mozart的古典乐章注入了新鲜的现代元素，同时也将东方音乐融入了这最为传统的欧洲音乐之中。通过古典派背景的衬托，Keiko将其精湛的演奏技巧及对美国钢琴家凡·克莱本的喜爱之情表现的淋漓尽致并使莫扎特的音乐在崭新的现代氛围中栩栩如生。
开场曲目“Kilamanjaro in B Flat”本身就有如那座有名的Kilamanjaro山一样气势恢弘。 曲子以宏伟之势开场，伴以清晰的鼓点为节拍，使人联想到Kilamanjaro这座火山曾蕴藏了多么猛烈的爆发力。 而“C Minor For The Orcas”则是围绕海洋之主鲸鲨而谱写的曲目。
Kazu的竹笛演奏为“Circle Dance，E Flat”增添了另一番韵味，先是伴以华丽的钢琴乐声展现整首舞曲， 而后在第二乐章，竹笛声却演绎出击鼓般的声音，在打击乐器随着其演奏出的简短的偏高音的同时， 钢琴仍以主旋律的姿态贯穿始终。
如若带上耳机倾听，曲子“G Minor Over The Mosques”便打破了其异国的风格， 你会感到如同穆斯林的祷告者的祈求声回响在城市的上空， 从而“Lawrence of Arabia”(电影《阿拉伯的劳伦斯》)那熟悉的主旋律也会跃然印入脑海。 曲子“Savannah In D Major”的音域如同那片疏林的南非草原本身一样轻柔开阔。 在飘渺的笛声与合声中，优美的旋律缓缓升起。 同名主打曲“Tribal Mozart”具有热带丛林狂想曲的风格，在这首曲子中，竹笛展现了类似鼓声的旋律， 而部落合声的背景加上钢琴和打击乐器的断续演奏，更加衬托出了部落舞蹈的场景。
在曲子“Rainy G Minor”中，一声声钢琴的音色犹如夏日午后的暴风雨中，雨水从走廊的屋檐上滴落的声音， 而笛声的伴奏似又吹开了漂浮在空中那厚厚的积雨云。
“D Major Into The Forest”让你感觉自己仿佛在高耸入云的绿林中漫步游走--如此的宁静而祥和， 却又不失那原始的生命律动。 “Through The Grasses With B Flat”以南非大羚羊优雅的步伐行进为节奏，柔美而又轻盈， 给人感觉好象随时都会腾空翱翔。整首曲子都渗透出Keiko的爵士演奏风格。
专集最后一首曲目“Amadeus In The Mist”的风格低沉，不如前者那么舒畅， 竹笛声也像薄纱般轻轻的落在轻柔的钢琴声上。品位这张专集会是一次令人愉悦的体验，它赋予了莫扎特音乐以鲜活的生命。
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