(分享)夜的宁静 - 李斯特：钢琴音乐 - 内尔森·弗莱雷

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Composer: Franz Liszt
Soloist: Nelson Freire (piano)
Recorded: 2011
Label: Decca
Release: 2011
Format: FLAC+booklet
注：听弗莱雷的这张唱片，远胜于听100张那些心灵鸡汤。
FRANZ LISZT
(1811-1886)
01. Waldersrauchen (Zwei Konzertetüden, S.145-1)
02. Sonetto 104 del Petrarca (Années de pelerinage, Deuxieme annee: Italie S.161-5)
03. Valse oubliee in F sharp major, S.215-1
04. Ballade No.2 in B minor, S.171
05. Au lac de Wallenstadt (Annees de pelerinage, Premiere annee: Suisse, S.160-2)
06. Hungarian Rhapsody No.3 in B flat major, S.244-3
07. Consolation, S.172 - No.1: Andante con moto
08. Consolation, S.172 - No.2: Poco piu mosso
09. Consolation, S.172 - No.3: Lento placido
10. Consolation, S.172 - No.4: Quasi adagio
11. Consolation, S.172 - No.5: Andantino
12. Consolation, S.172 - No.6: Allegretto sempre cantabile
13. Harmonies du soir (Douze etudes d'execution transcendante, S.139-11)

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Nelson Freire is at the pinnacle of his form for this thoughtfully programmed, beautifully engineered all-Liszt recital, from the unusually swift yet perpetually singing opening salvo Waldesrauschen to the impassioned and imaginatively pedaled Harmonies du soir that concludes. Fire and poetry intensely interweave throughout the Sonetto 104 del Petrarca, followed by a highly articulated Valse Oubliée No. 1 that's more dynamically charged than the norm.
How masterfully Freire gauges the B minor Ballade's narrative sweep, as he uncovers often ignored inner voices that in most performances are buried in the wild arpeggios and broken octaves. Fine as the Louis Lortie and Jerome Lowenthal renditions of Au lac de Wallenstadt may be in their recent complete traversals of the Années de Pèlerinage, Freire's more pliable phrasing and multi-layered textures create a more translucent, magical effect.
The Third Hungarian Rhapsody's subtle speed-ups and evocatively shaded cimbalom-like phrases couldn't be more elegant and idiomatic, while Freire's earth-shattering sonority in the low register defines pianistic shock and awe. It's also good to hear all six Consolations as a cycle, especially through Freire's ravishing, heartfelt artistry. Just sample the melting legato lines in No. 2, which owes more than a little to Mendelssohn's Songs Without Words, or the muted, ethereal, No. 3. In short, Freire's gorgeous, utterly inspired Liszt playing belongs in every piano lover's collection.
[6/1/2011] Jed Distler@www.classicstoday.com

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李斯特：夜的宁静（弗莱雷）