(分享)莫扎特 & 贝多芬：小提琴奏鸣曲 - 奥莱格·卡冈 & 斯维亚托斯拉夫·李希特

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Composer: Wolfgang Amadeus Mozart, Ludwig van Beethoven
Soloist: Oleg Kagan (violin), Sviatoslav Richter (piano)
Recorded:
Live VII.1974 Grange de la Besnardiere, Fete Musicales de Touraine (Mozart)
III.1976 Burgerbrau Keller, Munchen (Beethoven)
Label: EMI
Release: 2001
Format: FLACx2+scans
注：再说一遍，这位是Oleg Kagan，不是Leonid Kogan，两位都是李希特的好朋友，都跟李希特搭档演出过。
Disc 1
WOLFGANG AMADEUS MOZART
(1756-1791)
Violin Sonata in D major, K.306
I. Allegro con spirito
II. Andantino cantabile
III. Allegretto
Violin Sonata in B flat major, K.378
I. Allegro moderato
II. Andantino sostenuto e cantabile
III. Rondo: Allegro
Violin Sonata in G major, K.379
I. Adagio - Allegro
II. Theme (Andante cantabile) & Variations I-V - Theme (Allegretto)
Disc 2
Andante & Allegretto in C major, K.404
Violin Sonata in B flat major, K.372
Allegro
LUDWIG VAN BEETHOVEN
(1770-1827)
Violin Sonata in A minor, Op.23
I. Presto
II. Andante scherzoso
III. Allegro molto
Violin Sonata No.5 in F major, Op.24 'Spring'
I. Allegro
II. Adagio molto espressivo
III. Scherzo: Allegro molto & trio
IV. Rondo: Allegro ma non troppo
The Oleg Kagan/Sviatoslav Richter all-Mozart recital, recorded live at Tours in July, 1974, came out on a 1991 EMI budget CD release, minus the G major sonata K. 379. EMI now releases the whole recital in a richer, more present remastering, coupled with the pair's live 1976 Munich Beethoven Op. 23 and "Spring" Sonatas, which, I believe, are new to CD. Although the Kagan/Richter collaboration was in its relative infancy at the time of the Mozart recordings, the musicians are kindred spirits in their disciplined ensemble and decisive, large-scaled approach to these works. Sometimes in the outer movements Kagan's extroversion veers toward aggression, yet he sensitively picks up on Richter's sustained, hypnotic legato phrasing in the slow movements. That said, I marginally prefer the duo's more refined and supple K. 306 recorded a year later and issued on Live Classics, notably for its lighter, playful Allegretto.
Those who know the duo's exciting, volatile romp through the Beethoven Op. 24 sonata's opening Presto via their 1975 Live Classics or Intaglio recordings will find the slower 1976 EMI version no less detailed and intense. Also note the variety of inflection throughout the "Spring" sonata's sunny first movement (the repeated-note motive, for example), and the deliciously articulated rhythmic displacements in the little Scherzo. Peter Avis' refreshing and informative notes top off this most welcome reissue.
Jed Distler@ClassicsToday.com

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贝多芬：F大调第5小提琴奏鸣曲，作品24 “春天” - 1. 快板（卡冈+李希特）